The United Nations: The Doomsday Clock

multilateral disarmament

nuclear winter

The United Nations: The Doomsday Clock (1987)

I thought I’d begin 2026 reflecting on a letter from 40 years ago, from the United Nations.

 It concerns The Doomsday Clock, a film about multilateral disarmament that the UN commissioned me and animation colleague Jonathan Hodgson to make. The film’s title is taken from the clock created in 1947 by the Bulletin of the Atomic Scientists, to represent the likelihood of technological Armageddon. In 1986 the clock was set at 3 minutes to midnight (midnight being possible global destruction). Our brief was to show how this might be averted and the benefits of multilateral disarmament, without using dialogue, and in images that everyone worldwide would understand.

 The UN’s letter responds to our proposed film outline. Jon and I wanted to visually equate cutbacks in social spending with increased arms spending, but the UN felt that “cutting back on social welfare is part of a political philosophy which may go hand in hand with increased arms spending but is not necessarily caused by it," and we should “go easy on the locked schools and boarded up hospitals.” So we focused instead on how multilateral arms reduction could facilitate increased cooperation and productivity leading to increased social welfare.

 But Thatcher and Reagan’s 1980’s doctrine of privatization and reduced public spending has instead led to today’s hollowed-out society, with hospitals starved of funding, wealth concentrated increasingly at the top, calls for increased arms spending from those who would most benefit, and over it all, the screeching of an orange baboon, beating its chest in a drumbeat of war.

The Doomsday Clock's annual update is announced on 27 January 2026, at 15.00 GMT. It is currently the closest it has ever been to midnight.

The Doomsday Clock can be viewed on this website in the Films section

And on Vimeo: https://vimeo.com/43307523

Atomic Clock live update: https://thebulletin.org/doomsday-clock/



 

 

Related articles

Animation at the Biennale

+ Read more

Nalini Malani: Of Woman Born: a stand-out event at the 2026 Venice Bienalle. Video artist Malani’s immersive ‘animation chamber’ uses iPad sketches in overlapping sequences to explore male violence against women. Her focus on embodied trauma reminds me of my films: It Started With a Murder and The Betrayal, but whereas mine focus on personal autoethnographic traumas, Malani highlights the ubiquity of global male violence. It has inspired me to think about site-specific approaches for my next film, which will be incorporating drawn animation.

Nalini Malani: Of Woman Born: a stand-out event at the 2026 Venice Bienalle. Video artist Malani’s immersive ‘animation chamber’ uses iPad sketches in overlapping sequences to explore male violence against women. Her focus on embodied trauma reminds me of my films: It Started With a Murder and The Betrayal, but whereas mine focus on personal autoethnographic traumas, Malani highlights the ubiquity of global male violence. It has inspired me to think about site-specific approaches for my next film, which will be incorporating drawn animation.

multilateral disarmament

nuclear winter

Attempted murder and Levis: Variations on a Theme

+ Read more

30 years ago, on 13 February 1996, my life irrevocably changed when my ex-husband attempted to murder me. He nearly succeeded, and I was deeply traumatised by this event. I had just been commissioned to direct this Levis commercial featuring an empowered central female character, so I poured all my energy and emotion into its animation, and made my character an all conquering, survivor. The commercial won numerous international animation awards, but what I remain most proud about is that I was able to use its animation process to express my resiliance and to turn my trauma into something life-affirming and creative.

30 years ago, on 13 February 1996, my life irrevocably changed when my ex-husband attempted to murder me. He nearly succeeded, and I was deeply traumatised by this event. I had just been commissioned to direct this Levis commercial featuring an empowered central female character, so I poured all my energy and emotion into its animation, and made my character an all conquering, survivor. The commercial won numerous international animation awards, but what I remain most proud about is that I was able to use its animation process to express my resiliance and to turn my trauma into something life-affirming and creative.

multilateral disarmament

nuclear winter

Mirror Images

+ Read more

“There is but one reality and that is the truth and each of us are aspects of it — like facets of a gem. As filmmakers and artists, all we can hope to do is to be as true to ourselves as we are able, and in so doing find a resonance with others — like the refraction of light in a well-cut diamond. Only a facet that is truthfully defined can hope to reflect light inwards. The only thing that matters is the truth. Be true to oneself.”

“There is but one reality and that is the truth and each of us are aspects of it — like facets of a gem. As filmmakers and artists, all we can hope to do is to be as true to ourselves as we are able, and in so doing find a resonance with others — like the refraction of light in a well-cut diamond. Only a facet that is truthfully defined can hope to reflect light inwards. The only thing that matters is the truth. Be true to oneself.”

multilateral disarmament

nuclear winter